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Eric Lott
Position: Distinguished Professor
Campus Affiliation: Graduate Center
Phone: 212-817-8353
Room Number: 4406.04
Office Hours: By appointment
Degrees/Diplomas: Ph.D. Columbia University
Specialization: African American Literature and Literary Theory|Cultural Studies|Film and Literature|Literature after 1945|Nineteenth-Century US Literature|Popular Culture

Black Mirror: The Cultural Contradictions of American Racism (Harvard UP, 2017)

The Disappearing Liberal Intellectual (Basic Books, 2006)

Love and Theft: Blackface Minstrelsy and the American Working Class (Oxford UP, 1993; 2nd ed., 2013)
Selected Articles

Tar Baby and the Great White Wonder: Joni Mitchell’s Pimp Game,” Joni Mitchell: New Critical Readings, ed. Ruth Charnock (Bloomsbury, 2018).
Global South,” Keywords for Southern Studies, ed. Scott Romine and Jennifer Rae Greeson (University of Georgia P, 2016).
"Songs Are Like Tattoos," New Literary History (2015).
Back Door Man: Howlin’ Wolf and the Sound of Jim Crow,” American Quarterly (2011).
Bob Dylan’s ‘Love and Theft,’” The Cambridge Companion to Bob Dylan, ed. Kevin Dettmar  (2009).
Perfect Is Dead: Karen Carpenter, Theodor Adorno, and the Radio; Or, If Hooks Could Kill,” Criticism (2008). Rpt. in Pop When the World Falls Apart: Music in the Shadow of Doubt, ed. Eric Weisbard (Duke, 2012).
Criticism in the Vineyard: Twenty Years After ‘Race,’ Writing, and Difference,” PMLA (2008).
National Treasure, Global Value, and American Literary Studies,” American Literary History (2008).
The Wages of Liberalism: An Interview with Eric Lott,” minnesota review (2005).
Anti-American Studies,” Prospects: The Annual of American Cultural Studies (2005).
The First Boomer: Bill Clinton, George W., and Fictions of State,” Representations (2004).
Foreword, Stephen Steinberg, The Ethnic Myth: Race, Ethnicity, and Class in America, 3rd ed. (Beacon, 2000).
After Identity, Politics: The Return of Universalism,” New Literary History (2000).