Noah Davies-Mason is a Ph.D. student in Classical Philology. He earned his BA in Latin and Greek from Hunter College (summa cum laude). His primary research interests are in Greek philosophy and poetry, especially of the Hellenistic period. This encompasses a range of topics including Plato, Cynicism, Epicureanism, Pythagoreans, musical theory, aesthetic theory, Theocritus and bucolic poetry, didactic poetry,and the reception of philosophy in poetic texts. Noah presented a paper at CAMWS in 2017 entitled "The Unshod Lover: philosophical views of poverty in Theocritus Idyll 14," in which he explores the idea that philosophical issues were alive for readers of Theocritus. He has also presented a paper entitled "A quiet soul: the absence of auditory imagery in de rerum natura book 3" at a conference on imagery in didactic poetry in Heidelberg in 2016. This paper investigates the rhetorical function of Lucretius' refutation of the harmony theory of soul and suggests that the association with music plays a role in it being an object of attack.
Noah has taught various courses at Brooklyn College and Hunter College, including Classical Cultures, Self and Society, Film and Literature, Greek and Latin Roots of English, and the Ancient Novel in Translation. He has served on various committees as a student representative in the Classics program and co-chaired the graduate student conference "Looking at the Stage: New Perspectives on Greek and Roman Performance."