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PRESS CONTACT:
David Manning
212. 817.7177 or 7170
dmanning@gc.cuny.edu
April 2009
for Immediate release:
Five Graduate Center Faculty Named 2009 Guggenheim
Fellows
Five Graduate Center faculty members were among six City University of New
York winners of 2009 Guggenheim Fellowships. Graduate Center faculty
chosen were Heather Hendershot, theatre and film studies professor at the Graduate
Center and Queens College; Benjamin Carter Hett, history professor at the Graduate
Center and Hunter College; Victoria Sanford, anthropology professor at the
Graduate Center and Lehman College; Jonathan H. Shannon, anthropology and music
professor at the Graduate Center and Hunter College; and Robert Courtney Smith,
sociology professor at the Graduate Center and Baruch College. The other CUNY
faculty winner was playwright Thomas Bradshaw, English professor at Medgar
Evers College.
Guggenheim Fellowships are American grants that have been awarded annually since
1925 by the John Simon Guggenheim Memorial Foundation to those “who have
demonstrated exceptional capacity for productive scholarship or exceptional creative
ability in the arts.”
"All of us at CUNY take enormous pride in the outstanding work of these
faculty members," said CUNY Chancellor Matthew Goldstein. "Their scholarly
and creative contributions advance understanding and stimulate thought across
disciplines and across society, and foster lively centers of learning within
CUNY's classrooms. I offer my warmest congratulations to each of them."
CUNY matched Princeton University and Johns Hopkins University for the most Guggenheim
winners among all the nation’s universities.
Background information for CUNY’s 2009 Guggenheim Fellows:
Heather Hendershot was a double major in French and Film Studies
at Yale University and earned her Ph.D. at the University of Rochester. In addition
to being an associate professor in the Media Studies Department at Queens College,
she is coordinator of the Film Studies Certificate program at the CUNY Graduate
Center. Hendershot is the author of Shaking the World for Jesus: Media and
Conservative Evangelical Culture and the co-author of Saturday Morning
Censors: Television Regulation Before the V-Chip. She is also the
editor of Nickelodeon Nation: The History, Politics and Economics of America’s
Only TV Channel for Kids, and the editor of Cinema Journal. Hendershot has
held fellowships at Vassar College, Princeton University and New York University,
and is currently writing a book on rightwing broadcasting of the 1950s and 1960s.
Benjamin Carter Hett, a former trial lawyer, earned his Ph.D.
from Harvard University. His research interests include criminal law in
modern German, the history of popular culture, and the history of Berlin. His
book Crossing Hitler, the Man Who Put the Nazis on the Witness Stand describes
the 1931 trial of four Nazi stormtrooper, known as the Eden Dance Palace Trial,
and explores both the turbulent years of the Weimar Republic and the terror of Nazi
rule in Germany. The book won the 2007 Fraenkel Prize, given for an outstanding
work of contemporary history. Hett is also the author of Death in the Tiergarten:
Murder and Criminal Justice in the Kaiser’s Berlin.
Victoria Sanford earned her Ph.D. in Anthropology from Stanford
University, where she also received training in International Humanitarian Law
and Immigration Law and Stanford Law School. She has worked with Central American
refugees since 1986, when she founded and directed a refugee legal services project
representing Central American asylum seekers. A human rights activist and scholar,
Sanford has conducted extensive field research with Maya communities in Guatemala,
in Colombia, and with indigenous peace communities in Columbia and refugee communities
in Ecuador. She has been a Fulbright Fellow and Senior Research Fellow at the
Institute on Violence and Survival at the Virginia Foundation for the Humanities.
She is the author of, among other volumes, Buried Secrets: Truth and Human
Rights in Guatemala and Violencia Y Genocidio en Guatemala, and
many articles including “Learning to Kill by Proxy: Colombian Paramilitaries
and the Legacy of Central American Death Squads, Contras and Civil Patrols.” Her
research focuses on collective memory, community reconstruction, human rights
and international humanitarian law during internal armed conflicts. Among her
many honors and awards, Sanford has received a Bunting Peace Fellowship from
Harvard University’s Radcliffe Institute for Advanced Studies; a United
States Institute For Peace grant; a Rockefeller Fellowship for research on violence;
a MacArthur Consortium Fellowship; and an Early Career Award of the Peace Society
of the American Psychological Association.
Jonathan H. Shannon received his Ph.D. in Anthropology from
the Graduate Center in 2001. His dissertation was awarded that year’s Malcolm
H. Kerr Award by the Middle East Studies Association for best dissertation in
the social sciences. He is an ethnographer who has been working in Syria on ethnomusicology,
performance, and popular culture. Shannon examines how Syrian musicians and other
artists “draw on their heritage to assert their modernity.” Music
plays a key role in Syria’s culture, with memories of Andalusia from 700
years of Moslem rule in Spain making up an important part of that heritage. In
an article in Journal of American Folklore, Shannon writes, “Analysis of
musical practice and discourse about music in Syria suggests that the idea of ‘Andalusian’ music
and heritage supports pan-Arab ideologies integral to the state’s secular
Ba’thist ideologies. At the same time, such practices and discourses offer
sites of resistance against that regime by mining heterogeneous pasts.”
Robert Courtney Smith earned his Ph.D from Columbia University.
He is the author of Mexican New York: Transnational Lives of New Immigrants,
based on 15 years of ethnographic research in New York City and Puebla, Mexico.
It shows how transnational lives are influenced by migration decisions, assimilation
patterns, gender relations among both first- and second-generation immigrants,
religious experiences, political participation in American and Mexican communities
and participation in gangs. By looking at the daily lives of Mexican migrants,
Smith illustrates globalization in human terms and across national borders. Mexican
New York won the 2006 W.I.Thomas and Florian Zaniecki Award of the International
Migration Section of the American Sociological Association for the best book
on migration. Smith has also won the American Sociological Society’s 2007
Robert Park Award, the 2008 Best Book Award of the Latino Section, and the 2008
Distinguished Book Award. He has written many journal articles and has contributed
to many books and anthologies.
Thomas Bradshaw received his MFA in Mac Wellman’s playwriting
program at Brooklyn College, where he has also taught. His provocative plays
explore racial identification in America in humorous, disturbing and unexpected
ways. His play “Strom Thurmond is Not a Racist” won the American
Theater Coop’s 2005 National Playwriting contest. His other plays include “Cleansed,” “Purity,” “Southern
Promises,” “Dawn,” and “Prophet.” All have been
published and produced, and he has been featured as one of Time Out New York’s
ten playwrights to watch. Bradshaw’s latest play, commissioned by Soho
Rep, is an adaptation of “The Book of Job.” He is also Soho
Rep’s 2008-2009 Streslin Fellow and a Playwriting Fellow at the Lark Play
Development Center.
The Graduate Center is the primary doctorate-granting institution of The City
University of New York (CUNY). An internationally recognized center for advanced
studies and a national model for public doctoral education, the school offers
more than thirty doctoral programs as well as a number of master’s programs.
Many of its faculty members are among the world’s leading scholars in their
respective fields, and its alumni hold major positions in industry and government,
as well as in academia. The Graduate Center is also home to more than thirty
interdisciplinary research centers and institutes focused on areas of compelling
social, civic, cultural, and scientific concerns. Located in a landmark
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City’s intellectual and cultural life with its extensive array of public
lectures, exhibitions, concerts, and theatrical events. Further information
on the Graduate Center and its programs can be found at www.gc.cuny.edu.
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