Directory of GC Music Faculty

• Academics, Research Centers, & Initiatives
• Doctoral Programs
• Music (Ph.D./D.M.A)
• Directory of GC Music Faculty

Music program faculty, by department:

MUSICOLOGY

• Allan W. Atlas 15th century, Victorian music/English concertina, Vaughan Williams

• William Bauer, jazz studies

• Royal Brown film music 

• Zdravko Blazekovic 

• Richard Burke opera, 19th-20th century music

• Ruth DeFord Italian madrigal; Renaissance theory

• Barbara Hanning (emeritus) 17th century Music

• Chadwick Jenkins history of music theory, music and philosophy, early African-American music

• Sylvia Kahan 19th-century and 20th-century French music

• Richard Kramer 18th and 19th centuries

• Bruce MacIntyre Classical era; Haydn

• Barbara Dobbs Mackenzie 18th century opera

• Jennifer Oates, 19th-20th century British music, women and music 

• Arbie Orenstein 20th century; French music

• Antoni Pizà  Spanish music; biographical studies 

• Dennis Slavin 15th century, Renaissance 

• Anne Stone late 14th and early 15th centuries

• Anne Swartz Romantic music; eastern European; women composers

• Jeffrey Taylor American music; jazz history

• Janette Tilley 17th-century music, gender studies, Canadian music

• Emily Wilbourne 17th-century music, gender studies
  

THEORY/ANALYSIS

• Mark Anson-Cartwright Schenkerian Analysis, 18th-Century Music 

• L. Poundie Burstein Schenkerian Analysis; theories of form

• Philip Ewell  Modernist Russian music and music theory

• Norman Carey scale theory, Schenkerian Analysis; performance/analysis issues

• David Gagné Schenkerian Analysis 

• Philip Lambert post-tonal theory; popular music; musical theater

• Shaugn O’Donnell  20th Century; transformational networks; rock music 

• Jonathan Pieslak  20th Century; critical theory; popular music

• William Rothstein  Schenkerian Analysis; theories of rhythm; theories of form 
  

• Mark Spicer popular music; postmodern theory and aesthetics

• Joseph Straus 20th century; Stravinsky; post-tonal theory

ETHNOMUSICOLOGY

• Ray Allen music of urban America
  

• Stephen Blum music of West and Central Asia; ethnomusicological analysis 
  

• Henry Burnett Japanese music 
  

• James Cowedery
  

• Barbara L. Hampton music of Africa; urban music

• Peter Hollerbach, music of Indonesia 
  

• Peter L. Manuel music of India and the Caribbean; world popular music

• Jane Sugarman music of Southeastern Europe; gender studies; cultural theory

COMPOSITION

• John Corigliano
  

• Jason Eckardt
  

• Douglas Geers
  

• David Del Tredici
  

• Hubert Howe
  

• Tania León
  

• Jeff Nichols
  

• David Olan
  

• Bruce Saylor

PERFORMANCE

Voice: Richard Barrett, Amy Burton, Susan Gonzalez, Beverly Myers, Ashley Putnam,Stephanie Samaras, Robert White, Robert C. White
Piano: Jeffrey Biegel, Geoffrey Burleson, Norman Carey, Alison Deane, Steven Graff, Ilya Itin, Sylvia Kahan, Frank Lévy, Ursula Oppens, Morey Ritt, Gerald Robbins
Harpsichord: Raymond Erickson   
Violin: Masao Kawasaki, Chin Kim, Daniel Phillips, Rolf Schulte,
Viola: Junah Chung, Paul Neubauer, Karen Ritscher   
Cello:  Marcy Rosen   
Flute: Robert Dick, Tara Helen O’Connor   
Oboe: Humbert Lucarelli, Sherry Sylar
Clarinet: Charles Neidich, Ayako Neidich
Bassoon: Harry Searing
French Horn: David Jolley
Percussion: Morris Lang
Performance Practice: Raymond Erickson, Tania León, Ursula Oppens, Maurice Peress